04.05. But who’s going to play Finnick Odair?

Source: bit.ly via Robbie on Pinterest

I have finished Catching Fire, part 2 of The Hunger Games trilogy.
Just like The Hunger Games, this was gripping. But boy has it left me hanging. I must start book 3 immediately!
Not the best writing in the world, but Lord, Suzanne Collins knows how to suck you in to a story.
Filed under guilty pleasures, I really loved this book!

I’m just left pondering the question though, who will play Finnick Odair in the movie!?!?!?!
Thoughts?
It’s already a hot topic on Pinterest: http://pinterest.com/search/?q=finnick+odair

02.05. Knowing what other people are reading


I am always curious to know what other people are reading.
Especially authors.
So I was delighted when the lovely Jessica Stanley posted a link to a The Daily Beast post about Jennifer Egan’s favourite books.
I have to say, I was rather surprised. I expected more contemporary books, but she is obviously a fan of the classics.
I like her one sentence blurbs about each book. Precise.

Of all the books, I have only read 2, Emma and Underworld by Don Delillo, both of which I loved. Both books really nail the machinations of human/ social interaction- so I can see the connection to Egan’s own writing.
I think of all the books on her list, I am most curious to read The Image.

Any of these books you’d be curious to read?

The List
Emma by Jane Austen
Politics masquerading as matrimony. Austen was a mathematician of social interaction, and her novels are impossibly, preposterously good. Emma happens to be my favorite.

The Image by Daniel J. Boorstin
In 1961, before the Vietnam War was close to being televised, Boorstin identified the basic laws and contours of image culture—among them, a longing for authenticity that naturally results from increased mediation of human experience. His observations hold eerily true even in the era of Facebook and YouTube.

Don Juan by Lord Byron
Who can resist an epic poem in which the protagonist gets shipwrecked, hides in a harem (and then is chosen by the sultan for an evening of pleasure), has a fling with Catherine the Great, and endless other romps—all narrated in Byron’s slouchy, sinuous poetry?

Underworld by Don DeLillo
My favorite American novel of the past 25 years. A gigantic vision of the Cold War and its aftermath, in which DeLillo manages to be sweeping, intimate, political, hilarious, and sad.

Middlemarch by George Elliot
A quintessentially swaggering 19th-century English novel, thrillingly attentive to a sweep of diverse characters, and impossible to put down.

Invisible Man by Ralph Ellison
A surreal tale that exposes the ravages of racial persecution, yet ultimately subsumes them in a meditation on identity and transformation, whose proportions are nothing short of mythic.

The Transit of Venus by Shirley Hazzard
Utterly unique; a flexible, sharply written, wide-ranging story that encompasses the life of a young Australian woman who comes to England.

The Golden Notebook by Doris Lessing
An epic, experimental yet utterly human work that manages to fuse a political vision (disillusionment with communism) with a social one (women, men, and the collisions between them).

Good Morning, Midnight by Jean Rhys
Tough, bleak, and deeply atmospheric; Rhys wrests a gripping—even phantasmagoric—narrative from the solitary perambulations of an alcoholic woman in Paris.

Tristram Shandy by Laurence Sterne
One of the first novels in English … and a buoyant, postmodern romp. A hearty reminder of the power, malleability, and deep playfulness of the novel form.

The House of Mirth by Edith Wharton
Tragic in the classical sense, yet also hilarious, nuanced, and socially astute; the novel’s cool assessment of the calculus of beauty and wealth rings true even in our radically different era.

Germinal by Émile Zola
My favorite reportorial 19th-century novel. A vivid story full of spectacular set pieces—like a horse being lowered into a coal mine—and also a brutal indictment of the mining industry’s exploitation of its workers.